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Once again Jay Gordon the legendary rock blues
guitar virtuoso and vocalist proves there are no limitations or boundaries
within rock and blues music. Fresh Blood - Live - New Life, is captivating and
penetrating, filled with shredding and tasteful innovative guitar solos and
killer soulful vocals, a powerful trio second to none, bringing new life to
these classic tracks and turning the old into new gems.
Throughout his career, Jay Gordon has become
famous for his slashing guitar solos, his passionate vocals, and his dedication
to the blues. While his inspirations have included Buddy Guy, Johnny Winter,
Jimi Hendrix and Stevie Ray Vaughan, he does not sound like any of his
predecessors and has long had his own distinctive voice. Never interested in
merely recreating the past, Jay has moved the blues forward to the 21st century,
infusing the music with the fire and power of rock while carving out his own
place in the music world. Others have taken notice and he was honored as the
best blues/rock guitarist at the 2007 Real Blues Annual Awards in Canada , his
latest in a long series of awards. Crowds throughout the United States and
Europe have been very impressed by his intense playing and his series of
memorable recordings.
On New Life, Jay Gordon presents his new band,
the Penetrators. In 2007 while playing at a jam session that he was running at
Lake Elsinore , he heard a female voice repeatedly shouting “Turn the guitar
up!” After the set, he met the blues lover, a talented bassist and singer,
Sharon Butcher. Soon they were jamming together and Jay was very impressed. “
Sharon is a very solid bass player who never overplays and likes to lock in with
the drummer. She is also a very good rock and blues singer, putting a lot of
emotion into her singing, and she has great phrasing.” Within a short time,
Jay and Sharon decided to team up and form a new trio. They played concerts with
different drummers, going through 15 before they found the right one, George Big
Ben Schwimmer. “George and Sharon really rock. From the first time Sharon,
George and I jammed, I knew it was right. George is powerful and understands the
concept of playing what is needed for a song. They both play with feeling,
leaving me free to do what I want. It is rare to get a group together that has
this kind of chemistry.”
Jay Gordon is a talented songwriter and he
loves to really stretch out during his dazzling solos, so New Life is a
change-of-pace although a logical evolution from his past recordings. The
performances are concise and the repertoire is comprised of eight standards from
the rock and blues worlds. But these are not mere revivals or recreations for
Jay and his group reinvent and modernize the classics. “Whenever I choose to
perform a cover song, I wouldn’t do it unless I can make the song mine,
putting my own stamp on it while doing the song justice. On this program, I take
older songs and rock them, changing the melody, adding new guitar leads, and
coming up with completely new arrangements than the earlier versions.”
The eight performances on New Life were
recorded at 2008’s first Bike Rally of the year in San Bernardino . The music
was performed at the Screaming Chicken, an old roadhouse that has a large
outside stage with room for 2,000-3,000 enthusiastic fans. There are no overdubs
so this is what the trio sounds like live in concert, and they sound unlike any
other group.
The set begins with Willie Dixon’s “Good
Morning Little School Girl.” Jay gives the standard a brand new guitar pattern
that makes the tune sound brand new. He takes an expressive vocal (with Sharon
singing background) and unleashes his guitar in an explosive solo.
Sharon Butcher is in the spotlight during the
Jefferson Airplane’s “White Rabbit.” Her voice is haunting, she puts
plenty of feeling into the words, and she makes the 40-year old song sound
modern. “Heartbreaker,” from Grand Funk Railroad, has a powerful and
impassioned vocal duet with both Jay and Sharon sharing the spotlight and
singing their hearts out. It is a joy to hear the two of them interacting and
singing with such passion.
While “Honky Tonk Woman” was made famous
by the Rolling Stones, it is fair to say that the Penetrators sound nothing at
all like the Stones. Jay belts out his vocal while his guitar rages. His solo is
both intense and melodic, and Sharon is quite effective singing in the
background behind his vocal. A lot of music takes place within this concise
performance.
Bon Jovi’s/Del Shannon/Bonnie Raitt “Runaway”
is a perfect vehicle for Sharon ’s vocals. Her voice is not one that can be
forgotten easily for she sings with passion, sincerity and a great deal of
musicality. Her singing clearly inspires Jay’s blazing guitar.
“Rock Me” gives Jay Gordon an
opportunity to stretch out on a low-down blues. While he has performed many
different arrangements of this song in his career, each version sounds fresh for
Jay is a blues man to the core.
Wynonna Judd’s “That Was Yesterday” is a
different kind of blues and showcases Sharon ’s voice, making the song sound
as if it were written for her. The set concludes with Marshall Tucker’s “Can’t
You See,” a famous rock number performed by the Penetrators in a catchy,
inviting and fresh new way.
One of the most accessible of Jay Gordon’s
recordings, New Life features the guitarist staying true to his roots in blues
and rock while introducing his new band featuring the memorable Sharon Butcher
and George Schwimmer. It is not at all surprising that the crowd at the
Screaming Chicken went crazy over the music, for the brilliance and passion of
the playing and singing, along with the creative arrangements, are not to be
denied.
With the right distribution and marketing,
this cd will be in the hearts and homes of every rock and blues fan.
Scott Yanow,
Author of ten books including The Jazz Singers, Trumpet Kings, Jazz On Film and
Bebop, All Music Guide
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